Chapter 35, this chapter originally was titled `` The parade.'' In reality, however, there was talk of this event in a very cursory, and only as a foreshadowing of a central event which will take place in the next book ... Therefore, given the very heterogeneous content of the chapter, I tried another more appropriate title.
I have come to call `` solution''complicated situations, which is coupled with `` difficult''Reports, Chapter 33. The heterogeneity of the chapter in fact suggested to put under this label the various events that take place there, they see one part of the development Erastos, on the other that of Sendo, and in half the usual confusion of Alice. And there is also room for Parvaneh! Indeed in the original draft of this chapter, `` cousin''of Sendo had a much larger, but this had led to a very marked imbalance in the economy the chapter.
So I deleted a lot of parts, which I intend to retrieve more anvanti (or maybe not, will depend on the space and structure of the story). What I mean by `` economy''of the story? This is a complex factor: in a nutshell the pace of the narrative is similar to musical rhythm. There are moments where the pace is faster, others that slows down, others where it is so solemn and sad. Similarly, the narrative is now faster and more excited for the action scenes (or when dramatic peak, when, for example, reveals a secret or a mystery dissolves, as is usually found in crime novels), now more sad (sad reflections, description environments), etc. solemn hour.
But it is not only a `` beat''dictated''by the `` fast-slow, it is also a full-rate consists of `` empty''and `` long-short''. For example, the explanation of how the Tomotomopoppin is a time `` slow, long and full''in that it is full of dialogue, there is no action, the revelations do not follow a climax (in the sense, if not the end: throughout the long description of tomotomopoppin there are peaks and changes of pace, from slow to fast! 's all `` flat''), talking about concepts very long, there is one character who speaks and others who limit to respond or comment to himself mentally. A block
so dense he can not be `` stuck''between two blocks fast, as, for example, a fight: the narrazzione become like a big elephant with two thin thin legs, as in the paintings of Dali. So
main requirement, in my opinion, a good narrative rhythm, the harmony of composition is: every item must fit into one another precisely as a machine, like a Swiss watch, at all scales, that is, from a single dialogue to the chapter that contains the dialogue and other etc.. So the part with Parvaneh
in this chapter, while useful in the development of relationships and characters, it was too heavy, unbalanced, so she was taken from here. Finally, a
color note: In this chapter we have made some interesting revelations about the book with the wood of the Ark ... in his magic formulas written in the form of plant, tree, etc.. one can not see a clear reference to the Voynich manuscript ...
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